THE DARKNESS INSIDE CO.

The Darkness Inside (a Tv show)

THE DARKNESS INSIDE CO. • Erie, PA, USA

Details

  • Position
    Director of Photography
  • Start Date
    Nov 30, 2020
  • Location
    Erie, PA, USA
  • Rate
    This is a paid position. Rate is This job will be a volunteer job and this will be for fun. It’s a bring your own expensive movie like equipment. The box below is wrong it wouldn’t allow me to not press it it is not a paid job! NOT A PAID JOB!
  • Status
    Job has been filled

Job Description

CASTING ALL PRODUCTION CREW ON THIS JOB LISTING SO READ VERY VERY CLOSELY.
ALSO THIS JOB IS A NO PAYING JOB ITS A VOLUNTEER JOB AND ITS A BUY AND BRING YOUR OWN EQUIPMENT. ALSO THIS SHOW WILL BE PUT ON AMAZON/AMAZON PRIME! WILL BE CASTING WORLD WIDE BUT THIS SHOW WILL BE FILMED IN ERIE PENNSYLVANIA.

Director 1: male, 26-58, all ethnicities, Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment. Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. And this person is one out of 5 directors for the show who will help film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment.

Director 2: female, 27-59, all ethnicities, Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. One of the 5 directors of the show and will film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment. Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. And this person is one out of 5 directors for the show who will help film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment.

Director 3: female, 28-72, all ethnicities, Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. One of the 5 directors for the show and will film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment. Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. And this person is one out of 5 directors for the show who will help film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment.

Director 4: male, 26-81, all ethnicities, Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. One of the 5 directors for the show and will film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment. Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. And this person is one out of 5 directors for the show who will help film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment.

Director 5: female, 28-62, Black / African Descent, Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. One of the 5 directors for the show and will film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment. Responsible for the interpretation of the written script, use your vision and creativity, has to have organizational and technical skills, has to be able to deliver a complete motion picture. Has to work under strict deadlines, budget concerns, and has to balance numerous personalities and responsibilities. And this person is one out of 5 directors for the show who will help film multiple episodes. Once again this isn’t a paying job it’s a Volunteer job. And you have to use your own filming equipment for this project. Season 2 I will be paying and I will also be using my own rented filming equipment for season 2. But because of COVID and that I’m basically broke right means you guys will have to bring your own filming equipment.

Line Producer: female, 30-58, all ethnicities, The line producer supervises the entire budget of the show. Expenses may include celebrity salaries (which for the first season we won’t have) as well as daily costs like location and equipment rentals. The production manager reports to the line producer and they go over the current expenses and needs of the production on an ongoing basis.

Producer: male, 18+, This person oversees and organizes the entire show production. Working independently, the producer will plan and coordinate various aspects of the show’s production, such as selecting the script to film that day, coordinating writing, directing, and editing and arranging financing. They will help develop the script into a workable project. (Without changing the script)They will assist with the hiring of actors and key crew members. The producer oversees script progress and often assists in creating final distribution plans for the show like in editing. And again this isn’t a paying job.

Production manager: female, 29-52, all ethnicities, The production manager will work closely with the production coordinator. The production manger will also supervise the physical aspects of the show (not the creative aspects), including personnel, technology, budget, scheduling , crew & equipment scheduling, salaries ( not for season 1 but for season 2), day rates, and other office related paperwork. This person Will report budget needs to the line producer, while trying to keep the production under budget on a day to day basis. It is the production manager’s responsibility to make sure the filming stays on schedule and within its budget.

Production coordinator 1: male, 29-62, all ethnicities, The production coordinators are the information guys of the production. They are responsible for organizing all the logistics from hiring crew, renting equipment, and booking talent. The production coordinators are also responsible for coordinating the “behind the scenes” logistics. They also handle the paperwork needed to organize the production. For this reason, the production coordinator is an important crew member in ensuring a production’s goals are on budget and on time.

Production coordinator 2: female, 30-50, all ethnicities, The production coordinators are the information guys of the production. They are responsible for organizing all the logistics from hiring crew, renting equipment, and booking talent. The production coordinators are also responsible for coordinating the “behind the scenes” logistics. They also handle the paperwork needed to organize the production. For this reason, the production coordinator is an important crew member in ensuring a production’s goals are on budget and on time.

Assistant director/ 1st A.D.: female, 31-65, all ethnicities, The 1st assistant director will work with both the production manager and the director to make the shooting schedule efficient as possible. The 1st A.D. breaks the script down into a shooting schedule and also helps manage the scheduling of talent, crew and equipment needed for each shooting day. This person sometimes helps direct the background extras in a scene.

Production assistant/P.A..: male, 26-72, all ethnicities, A production assistant does the general duties or minor tasks. The basic duties include dispersing walkie-talkies, setting up pop-up tents and tables, running basic errands as needed or attaining any other last-minute item that the production might need. It is essential that the P.A. has their own transportation to perform these various errands. He also assists the first assistant director with set operations.

Script supervisor/Continuity: female, 30-70, all ethnicities, The script supervisor will work closely with the director by taking detailed notes concerning what has been shot, needs to be shot, and also notes any deviations from take to take. She will also makes sure that the dialogue corresponds with the script. The script supervisor will also take logging notes that are essential in the post production editing process, such as locating shots and finding the best takes. This script supervisor will also assume the role of continuity, ensuring the consistency between scenes and shots.

Key grip: female, 29-56, The key grip will be the lead grip on the show set and she’ll be in charge of all the other grips. The key grip and best boy will collaborate with the gaffer and D.P. to formulate the best tactic for accomplishing a given shot. The key grip oversees the proper camera rigging mechanisms as well as manages the light blocking and diffusing techniques. They “shape the light” that is provided by the electricians. This includes creating pattern and shadow effects, coloring light, diffusing light or blocking light. While electricians set up the lights and cabling, this position will provide everything else that is built around the lights to create the quality of light that the gaffer desires. They also provide a variety of special rigging, securing and safety measures on set.

Best boy grip: male, 25-51, all ethnicities, He assists the key grip but he is responsible for hiring and scheduling crew and he oversees the rental of the equipment on the set.

Dolly grip: female, 25-49, all ethnicities, The dolly grip is a dedicated technician trained to operate the camera dolly. This person will be responsible for technician places, levels, and movement of the dolly track, she will also be responsible for pushes and pulling the doll as a camera operator or camera assistant rides it.

Gaffer: male, 23-46, all ethnicities, The gaffer also know as the chief lighting technician. This person will be responsible for developing a lighting plan according to the desires of the Director of Photography. The gaffer will inform the best boy and key grip on where and which lights are to be placed. The gaffer is in charge of creating the best possible lighting scenario according to the camera framing.

Best boy electric: male, 25-38, The best boy electric is and will be the lead electrician on set and he’ll be in charge of all the other electricians, similar to how the key grip is in charge of all the grips. The best boy will operate, adjust and balance the electrical load on the generator where required. This person is also responsible for distributing the electrical cabling properly providing the required power to each of the lights.

Production designer: female, 29-74, all ethnicities, The production designer will work directly with the director, the producer, and me to select the settings and style to tell the story visually. Works in pre-production, working with the director, producer, and director of photography to establish the visual feel and aesthetic needs of the project. Works with the costume designer, hair and make-up stylists, special effects director, and location manger to develop a unified visual appearance to the show. This person is also in charge of checking the costumes, landscapes, props and other visual scenery that could reflect the script.

Art director 1: female, 32-67, all ethnicities, The art directors work with the production designer and they are responsible for the design and construction of the sets. They are essentially assistants to the production designer and help construct the “look” and “feel” of the show. They directly oversee artist and craftspeople, like graphic artists, and illustrators who assist in the development of the production design.

Set designer: male, 23-62, all ethnicities, A draftsman or architect who realizes the structures or interior spaces and draws them out called for by the production designer.

Set Decorator: female, 22-51, all ethnicities, The set decorator will be in charge of decorating the show’s film set, they will make the decisions on what furnishings and other decorations are going to be used on set. This person will work closely with the art director and production designer to create the optimal visual environment for filming. This may include various items such as paintings, fabrics, and other non movable decorative set pieces.

Buyers: male, 47+, all ethnicities, This man will be the most generous, caring, amazing man in the world. He will work independently and he’ll be responsible for locating and purchasing or renting the studios for us to film in, the vans to transport actors, the actors trailers for makeup or just if we are waiting on set, places to film in public, clothing fabric, things to make props and sets, renting or buying Professional filming equipment, or bringing what he already has, bringing or buying food for actors and buying or renting everything we need for the production with the help of the production crew. Again. This is not a paying job and if you are this hood of a human being you’re amazing. AMAZING! And whoever takes this position we definitely need you to help us and buy or rent a jib arm crane when you get the 5 red cameras.

Set dresser: male, 20-39, all ethnicities, The set dresser will apply and remove the “dressing” i.E. Furniture, drapery, carpets, lighting, everything one would find on a particular set.

Props master: 18+. Props builder: 18+. Set dresser: 18+. Set Construction Coordinator / Builder: female, 28-51, all ethnicities, The construction coordinator will supervise the fabrication and physical integrity of the various sets needed as directed by the production designer and art director. This person is also in charge of budgeting and ordering the needed materials for the set designs. The construction coordinator will also be responsible for hiring some more carpenters, painters, and laborers later on.

Head carpenter: female, 29-47, all ethnicities, The head carpenter is the foreman of a “gang” of carpenters and laborers.

Greens: male, 31+, all ethnicities, A specialized set dresser who will deal with the artistic arrangements or landscape design of plant material. Sometimes real and sometimes artificial and usually a combination of both. Depending upon the number of greens work in the show, the green man will report to the art director and he’ll also report to the production designer.

Director of photography: female, 25-71, all ethnicities, The director of photography (D.P.) will be in charge of the overall visual look of the film, as seen through the camera. Meaning she will be responsible for establishing how the script is translated into visual images based on the directors request. She will also be responsible of which cameras and lenses to use for the production. She will design the shot’s framing, and the camera movements in conjunction with the director. She also will be in charge of the camera crew, lighting design and collaborating with the gaffer.

Camera operator: female, 24-54, all ethnicities, The camera operator will physically control and operate the camera during filming, under the direction of the D.P. (Director of Photography). The camera operator works closely with both A.C.’s as well. The camera operator controls the shot’s framing, smooth pans, the tilts, and the camera movements as instructed by the director of photography. They also have to maintain the form of the subject and also keep the action within the frame lines.

First assistant cameraman (1st A.C.) (Focus Pulling): female, 33-57, all ethnicities, Must know and understand all professional motion picture camera equipment and accessories currently used in the industry. 1st A.C. Reads the script so that she is aware of the story and recommends any unique material that maybe needs to carry out specific shots. She is also responsible for the overall care and maintenance of all camera equipment during production.

Second assistant cameraman: female, 27-41, all ethnicities, Before production, 2 A.C. Must obtain a supply of empty cans, black bags, camera reports, and cores from the lab or she can ask the production manger to arrange for these supplies, prepares a list of expendable with the 1st A.C., also preps camera package along with the 1st A.C.

Loader: male, 36+, all ethnicities, This man has o be very very strong . The loader loads and unloads all film canisters during filming. The loader also will properly label all loaded film magazines and cans of exposed film and short ends, Also, he will prepare film for delivery to the lab. And he will need to deliver it to the production at the end of each day. The loader will also provide all the necessary tools and accessories that are associated with performing the job.

Make-up artist 1: female, 27-78, all ethnicities, They make-up artists will play a vital role in the overall appearance of the actors and other talent. There goal is to make everyone on-screen look as good as possible. They’ll works closely with the director and production team to create the look that is required for the various parts of the show. The make-up artists will also have to use their skills to minimize the potential adverse effects of harsh lighting. The makeup artist’s will also have to create a variety of looks on the actors and actresses skin surfaces with makeup, from current trends to classic or period pieces. Because this show is set in the 90’s but also the 60’s they’ll really have to play with the makeup here. The makeup artist will create these looks according to the director’s and my desires, that will be inspired by the characterizations in the story. Meaning the makeup artists will have to read the script.

Make-up artist 2: female, 36-78, all ethnicities, They make-up artists will play a vital role in the overall appearance of the actors and other talent. There goal is to make everyone on-screen look as good as possible. They’ll works closely with the director and production team to create the look that is required for the various parts of the show. The make-up artists will also have to use their skills to minimize the potential adverse effects of harsh lighting. The makeup artist’s will also have to create a variety of looks on the actors and actresses skin surfaces with makeup, from current trends to classic or period pieces. Because this show is set in the 90’s but also the 60’s they’ll really have to play with the makeup here. The makeup artist will create these looks according to the director’s and my desires, that will be inspired by the characterizations in the story. Meaning the makeup artists will have to read the script.

Make-up artist 3: male, 18+, all ethnicities, They make-up artists will play a vital role in the overall appearance of the actors and other talent. There goal is to make everyone on-screen look as good as possible. They’ll works closely with the director and production team to create the look that is required for the various parts of the show. The make-up artists will also have to use their skills to minimize the potential adverse effects of harsh lighting. The makeup artist’s will also have to create a variety of looks on the actors and actresses skin surfaces with makeup, from current trends to classic or period pieces. Because this show is set in the 90’s but also the 60’s they’ll really have to play with the makeup here. The makeup artist will create these looks according to the director’s and my desires, that will be inspired by the characterizations in the story. Meaning the makeup artists will have to read the script.

Make-up artist 4: female, 33-80, all ethnicities, They make-up artists will play a vital role in the overall appearance of the actors and other talent. There goal is to make everyone on-screen look as good as possible. They’ll works closely with the director and production team to create the look that is required for the various parts of the show. The make-up artists will also have to use their skills to minimize the potential adverse effects of harsh lighting. The makeup artist’s will also have to create a variety of looks on the actors and actresses skin surfaces with makeup, from current trends to classic or period pieces. Because this show is set in the 90’s but also the 60’s they’ll really have to play with the makeup here. The makeup artist will create these looks according to the director’s and my desires, that will be inspired by the characterizations in the story. Meaning the makeup artists will have to read the script.

Hair stylist 1: female, 24+, all ethnicities, The hair stylists will be responsible for styling and maintaining the actors hair throughout filming. The hair stylist will have to bring all of the appropriate supplies needed for the hair styling process but they will also will be provided with some. The hair dressers will work in conjunction with the make-up artist to attain the best possible looks for the actors and actresses.

Hair stylist 2: female, 30+, all ethnicities, The hair stylists will be responsible for styling and maintaining the actors hair throughout filming. The hair stylist will have to bring all of the appropriate supplies needed for the hair styling process but they will also will be provided with some. The hair dressers will work in conjunction with the make-up artist to attain the best possible looks for the actors and actresses.

Hair stylist 3: female, 39+, all ethnicities, The hair stylists will be responsible for styling and maintaining the actors hair throughout filming. The hair stylist will have to bring all of the appropriate supplies needed for the hair styling process but they will also will be provided with some. The hair dressers will work in conjunction with the make-up artist to attain the best possible looks for the actors and actresses.

Location scout 1: male, 33-79, There job is a vital process in the pre-production stage of filmmaking and commercial photography. They work directly with producers and directors to decide what general scenery is required to meet the creative needs of the project outside of the studio space the search for compatible locations begins. Location are selected both in terms of the “look” they offer. But also the ease of filming in a area. Access to a power source, a few studios, parking for actors and crew, places we can film in public, etc. are all information factors the location scouts must take into consideration. The location scout assists in finding the various filming locations according to the producer and director’s desires. Location scouts then should and will have a large database of location photographs to show before traveling to the actual location for filming.

Location scout 2: female, 29-66, all ethnicities, There job is a vital process in the pre-production stage of filmmaking and commercial photography. They work directly with producers and directors to decide what general scenery is required to meet the creative needs of the project outside of the studio space the search for compatible locations begins. Location are selected both in terms of the “look” they offer. But also the ease of filming in a area. Access to a power source, a few studios, parking for actors and crew, places we can film in public, etc. are all information factors the location scouts must take into consideration. The location scout assists in finding the various filming locations according to the producer and director’s desires. Location scouts then should and will have a large database of location photographs to show before traveling to the actual location for filming.
Location manger 1: female, 31+, all ethnicities, This person will read the script and then these people will be in charge of creating and entering into location contract agreements, they will be attaining all the legal permits and other clearances needed to gain proper permission for filming in a particular location, because the show is set in the 90’s they will send out casting calls to get old style cars and they will also create parking plans for these vehicles, they will also need to get permits and create parking plans for working on set work vehicles, they need to identify and arrange for power and water sources, and they also have to work with affected residents, property owners, and business. The location manager will also take care of attaining and processing any other location permit fees as well.

Location manger 2: female, 38+, all ethnicities, This person will read the script and then these people will be in charge of creating and entering into location contract agreements, they will be attaining all the legal permits and other clearances needed to gain proper permission for filming in a particular location, because the show is set in the 90’s they will send out casting calls to get old style cars and they will also create parking plans for these vehicles, they will also need to get permits and create parking plans for working on set work vehicles, they need to identify and arrange for power and water sources, and they also have to work with affected residents, property owners, and business. The location manager will also take care of attaining and processing any other location permit fees as well.

Property master 1: female, 33+, all ethnicities, This Position is responsible for the procurement or production, inventory, care and maintenance of all props associated with the production, ensuring that they are all available on time, and with budgetary requirements. They also ensure that selected accessories suit the show’s style and overall design and that they reflect the production’s time period and culture.

Property master 2: female, 33-55, all ethnicities, This Position is responsible for the procurement or production, inventory, care and maintenance of all props associated with the production, ensuring that they are all available on time, and with budgetary requirements. They also ensure that selected accessories suit the show’s style and overall design and that they reflect the production’s time period and culture.

Sound recordist 1/Boom Operator / Utility: male, 31+, all ethnicities, These people will be responsible for properly positioning the microphone boom pole during the actual filming. The boom operator is the assistant to the sound mixer. Many times the boom operator is required to hold the boom pole for several minutes at a time, which can be physically demanding. The boom operator must also be able to follow the actors movements while staying clear of the camera and lights. This makes it a challenging job for achieving the best possible audio. We will also be doing mic packs on the actors body.

Sound recordist 2 /Boom Operator / Utility: female, 32-61, These people will be responsible for properly positioning the microphone boom pole during the actual filming. The boom operator is the assistant to the sound mixer. Many times the boom operator is required to hold the boom pole for several minutes at a time, which can be physically demanding. The boom operator must also be able to follow the actors movements while staying clear of the camera and lights. This makes it a challenging job for achieving the best possible audio. We will also be doing mic packs on the actors body.

Sound recordist 3 /Boom Operator / Utility: male, 24+, all ethnicities, These people will be responsible for properly positioning the microphone boom pole during the actual filming. The boom operator is the assistant to the sound mixer. Many times the boom operator is required to hold the boom pole for several minutes at a time, which can be physically demanding. The boom operator must also be able to follow the actors movements while staying clear of the camera and lights. This makes it a challenging job for achieving the best possible audio. We will also be doing mic packs on the actors body.

Sound recordist 4 /Boom Operator / Utility: female, 25+, all ethnicities, These people will be responsible for properly positioning the microphone boom pole during the actual filming. The boom operator is the assistant to the sound mixer. Many times the boom operator is required to hold the boom pole for several minutes at a time, which can be physically demanding. The boom operator must also be able to follow the actors movements while staying clear of the camera and lights. This makes it a challenging job for achieving the best possible audio. We will also be doing mic packs on the actors body.

Costume designer 1: female, 34+, all ethnicities, This position is very very very important to me. The costume designers will make decisions on which wardrobes and costumes, actors will wear based on the script requirements and character portrayals. The Costume designers will create or choose various clothing patterns, designs, colors, sizes and accessories for each wardrobe used during production. They will also before making the clothes measure every actor with the clothes. The costume designers will have a least two assistants helping to organize, disperse and maintain all the costumes used by the cast. And for this position I need the best clothing designer and makers ever created. And whoever wants this position needs to be amazing at sewing and they have to be great at make prints perfectly onto a piece of clothing.

Costume designer 2: female, 34+, all ethnicities, This position is very very very important to me. The costume designers will make decisions on which wardrobes and costumes, actors will wear based on the script requirements and character portrayals. The Costume designers will create or choose various clothing patterns, designs, colors, sizes and accessories for each wardrobe used during production. They will also before making the clothes measure every actor with the clothes. The costume designers will have a least two assistants helping to organize, disperse and maintain all the costumes used by the cast. And for this position I need the best clothing designer and makers ever created. And whoever wants this position needs to be amazing at sewing and they have to be great at make prints perfectly onto a piece of clothing.

Costume designer 3: female, 34+, all ethnicities, This position is very very very important to me. The costume designers will make decisions on which wardrobes and costumes, actors will wear based on the script requirements and character portrayals. The Costume designers will create or choose various clothing patterns, designs, colors, sizes and accessories for each wardrobe used during production. They will also before making the clothes measure every actor with the clothes. The costume designers will have a least two assistants helping to organize, disperse and maintain all the costumes used by the cast. And for this position I need the best clothing designer and makers ever created. And whoever wants this position needs to be amazing at sewing and they have to be great at make prints perfectly onto a piece of clothing.

Costume designer 4: female, 34+, all ethnicities, This position is very very very important to me. The costume designers will make decisions on which wardrobes and costumes, actors will wear based on the script requirements and character portrayals. The Costume designers will create or choose various clothing patterns, designs, colors, sizes and accessories for each wardrobe used during production. They will also before making the clothes measure every actor with the clothes. The costume designers will have a least two assistants helping to organize, disperse and maintain all the costumes used by the cast. And for this position I need the best clothing designer and makers ever created. And whoever wants this position needs to be amazing at sewing and they have to be great at make prints perfectly onto a piece of clothing.

Costume designer 5: female, 34+, all ethnicities, This position is very very very important to me. The costume designers will make decisions on which wardrobes and costumes, actors will wear based on the script requirements and character portrayals. The Costume designers will create or choose various clothing patterns, designs, colors, sizes and accessories for each wardrobe used during production. They will also before making the clothes measure every actor with the clothes. The costume designers will have a least two assistants helping to organize, disperse and maintain all the costumes used by the cast. And for this position I need the best clothing designer and makers ever created. And whoever wants this position needs to be amazing at sewing and they have to be great at make prints perfectly onto a piece of clothing.

Costume designer 6: male, 24-49, all ethnicities, This position is very very very important to me. The costume designers will make decisions on which wardrobes and costumes, actors will wear based on the script requirements and character portrayals. The Costume designers will create or choose various clothing patterns, designs, colors, sizes and accessories for each wardrobe used during production. They will also before making the clothes measure every actor with the clothes. The costume designers will have a least two assistants helping to organize, disperse and maintain all the costumes used by the cast. And for this position I need the best clothing designer and makers ever created. And whoever wants this position needs to be amazing at sewing and they have to be great at make prints perfectly onto a piece of clothing.

Show editor 1: male, 33+, all ethnicities, The film editor is the editor of the whole show. They read the script and they go through the show making sure that they have everything in order and that everything is accurate and compelling. This technician will work closely with the directors and he’ll go over the show with a small team of editors. (These people do not do the visual effects at all they just watch the footage and cut out the bloopers and stuff like that making the final product of the show and then they hand the show over to visual effect editors.) these editors do oversee the camera, lighting, design, and sound crew members in order to produce a polished final product to give to the visual effect people. And there is a lot of faith in these editors because if we want the the program to air at its set time, The editors are responsible for meeting multiple daily production deadlines.

Assistant Director / 2nd A.D.: female, 29-65, all ethnicities, The 2nd A.D. will work directly with the 1st A.D. to accomplish their duties. The call sheets for each shooting day are created by the 2nd assistant director. The 2nd A.D. also helps manage the scheduling of talent, crew and equipment that is needed for each day. This person also assists in directing the background extras in scenes. This person will also write down which actor will and should be on set that day of filming.

Art director 2: male, 34-54, all ethnicities, The art directors work with the production designer and they are responsible for the design and construction of the sets. They are essentially assistants to the production designer and help construct the “look” and “feel” of the show. They directly oversee artist and craftspeople, like graphic artists, and illustrators who assist in the development of the production design.

Camera Operator (Aerial): male, 35+, all ethnicities, The aerial photographer or camera operator Has to be a qualified and equipped person to film aboard aerial devices. This usually refers to small airplanes and helicopter filming, but the aerial camera operator will use a drone camera for a lot of scenes so if you want this position please learn how to fly a drone.

Camera Operator (Jib Arm / Crane): 24+, all ethnicities, This person will be responsible for setting up and operating the mechanical camera crane also known as the “jib arm”. The jib arm is primarily used for large establishing shots that require substantial elevation and smooth motion. And there’s a lot of shots with this crane mostly every shot is with this. Either buy your own $1,627.14 at: DHgate, or rent it. Or we try and make the buyer rent it or buy it.

Show editor 2: female, 34+, all ethnicities, The film editor is the editor of the whole show. They read the script and they go through the show making sure that they have everything in order and that everything is accurate and compelling. This technician will work closely with the directors and he’ll go over the show with a small team of other editors. (These people do not do the visual effects at all they just watch the footage and cut out the bloopers and stuff like that making the final product of the show and then they hand the show over to visual effect editors.) these editors do oversee the camera, lighting, design, and sound crew members in order to produce a polished final product to give to the visual effect people. And there is a lot of faith in these editors because if we want the the program to air at its set time, The editors are responsible for meeting multiple daily production deadlines.

Show editor 3: male, 35+, all ethnicities, The film editor is the editor of the whole show. They read the script and they go through the show making sure that they have everything in order and that everything is accurate and compelling. This technician will work closely with the directors and he’ll go over the show with a small team of editors. (These people do not do the visual effects at all they just watch the footage and cut out the bloopers and stuff like that making the final product of the show and then they hand the show over to visual effect editors.) these editors do oversee the camera, lighting, design, and sound crew members in order to produce a polished final product to give to the visual effect people. And there is a lot of faith in these editors because if we want the the program to air at its set time, The editors are responsible for meeting multiple daily production deadlines.

Show editor 4: male, 34+, all ethnicities, The film editor is the editor of the whole show. They read the script and they go through the show making sure that they have everything in order and that everything is accurate and compelling. This technician will work closely with the directors and he’ll go over the show with a small team of editors. (These people do not do the visual effects at all they just watch the footage and cut out the bloopers and stuff like that making the final product of the show and then they hand the show over to visual effect editors.) these editors do oversee the camera, lighting, design, and sound crew members in order to produce a polished final product to give to the visual effect people. And there is a lot of faith in these editors because if we want the the program to air at its set time, The editors are responsible for meeting multiple daily production deadlines.

Composer 1: female, 29+, all ethnicities, The film composer will create the musical score that accompanies our show, which will be called the tv show score. This music falls into three categories: Diegetic music. Music that can be heard by the characters in the depicted scene. For example, imagine a film character is attending a parade with marching bands. The music produced by those bands is diegetic. Non-diegetic music. This is the most common form of film music, typically referred to as the underscore. This is music that a film’s characters cannot hear. Think of the tense vibrato strings when the foolish protagonist of a horror film enters the haunted basement. (This is probably what our show will be made up of) Songs. Some films are scored with songs, which can be of both the diegetic and non-diegetic variety. Movie musicals feature diegetic songs (think Singin’ In The Rain), while from the 1970s onward, it became popular to replace traditional underscore with a soundtrack of non-diegetic music (this will also be used a lot).

Composer 2: male, 29+, all ethnicities, The film composer will create the musical score that accompanies our show, which will be called the tv show score. This music falls into three categories: Diegetic music. Music that can be heard by the characters in the depicted scene. For example, imagine a film character is attending a parade with marching bands. The music produced by those bands is diegetic. Non-diegetic music. This is the most common form of film music, typically referred to as the underscore. This is music that a film’s characters cannot hear. Think of the tense vibrato strings when the foolish protagonist of a horror film enters the haunted basement. (This is probably what our show will be made up of) Songs. Some films are scored with songs, which can be of both the diegetic and non-diegetic variety. Movie musicals feature diegetic songs (think Singin’ In The Rain), while from the 1970s onward, it became popular to replace traditional underscore with a soundtrack of non-diegetic music (this will also be used a lot).

Scenic Artist/painter: female, 31-63, all ethnicities, The scenic artist will be in charge of designing and treating all of the set surfaces. This may include painting, plastering, coloring, texturing and applying any other sort of treatment to the set surfaces to create a look. The scenic artist will also simulate stone, wood, lettering, metallic or brick on the various sets and scenery.

Story board artist 1: male, 25-35, all ethnicities, The storyboard artist creates a series of illustrations and sketches based on the director’s vision during pre-production. Each sketch represents a different camera set-up. These drawings usually include camera angles, characters and set design. The illustrations are then used to assist the other head departments in understanding their tasks.

Story board artist 2: female, 23-43, all ethnicities, The storyboard artist creates a series of illustrations and sketches based on the director’s vision during pre-production. Each sketch represents a different camera set-up. These drawings usually include camera angles, characters and set design. The illustrations are then used to assist the other head departments in understanding their tasks.

Story board artist 3: male, 23-45, all ethnicities, The storyboard artist creates a series of illustrations and sketches based on the director’s vision during pre-production. Each sketch represents a different camera set-up. These drawings usually include camera angles, characters and set design. The illustrations are then used to assist the other head departments in understanding their tasks.

Data wrangling: male, 29+, all ethnicities, This relatively new job position was picked because of the created response to the popular use of digital video formats. The data wrangler will be responsible for organizing, labeling, downloading, duplicating and reformatting the digital storage disks for use on set and the editing room.

Digital imaging technician: female, 27+, all ethnicities, This is another new type of job position that was created in response to the popular use of high-end digital video formats. The digital imaging technician will use various image manipulation methods to achieve the highest possible image quality during the production. This person usually manages the transferring and storage of the image data as well.

Photographer/production stills: female, 28-46, all ethnicities, This person job will to take still photographs, which means they’ll be on set everyday to take amazing quality pictures (with their own camera) of us on set for us to upload the photos onto social media and they will also be responsible for essentially documents and the behind-the-scenes making of the production. This person will also take videos to make the theme song had they will also take person photographs images used for marketing purposes and they will create the Individual show poster and the poster for the show with the whole main cast on it. And they will also design and make the DVD box art. And they’ll also make sure the dvd of season one will be sold worldwide.

Steadicam owner/operator: male, 33-86, all ethnicities, The steadicam is a camera mounting device that utilizes a mechanical arm attached to a body harness to provide extremely smooth hand-held shots. The steadicam operator will be responsible for setting up and operating the steadicam during production. Bring your own steadicam or the buyer will either rent it or buy one. The steadicam operator will have to be very physically and fit due to the amount of strength and endurance needed to operate the steadicam.

Videographer: female, 25+, all ethnicities, This person will create the video that essentially documents the behind-the-scenes making of the show. This person will also take all the bloopers and outtakes in the show and make a video out of them. A 11 part 35 minutes each YouTube video.

Food stylist: female, 28-75, all ethnicities, The food stylist will prepare and arrange the food in the show in an appealing way to be used in photographs, commercials or...the show! This person will have to have an extensive background in cooking, recipe development, and the ability to achieve creative solutions for making the food look its most attractive.

Assistant food stylist: female, 27-56, all ethnicities, The assistant food stylist will assists the lead food stylist in the preparations and arrangements of the food. This person should have an extensive background in cooking, recipe development, and the ability to assist in achieving creative solutions for making the food look the most attractive.

Craft service Members: female, 29-56, all ethnicities, This is borough role. 4 people. Craft Services will put out various snacks and beverages that are provided to the film crew throughout the day. They will ask what they want for the rest of filming for the year and everyday on set the table will be filled up with all the Main actors favorite foods and favorite drinks, and no matter what there will always be tiny bottles of water on set. At this table, in the actors trailers where ever they go. This job is separate from catering. The 4 people in charge of craft services will set up and maintain a station near production that provides these snacks and beverages. The craft services people will be having to pay or make these foods and refreshment them selves or they would make the buyer to get it.

Special FX make-up artist: female, 32-51, all ethnicities, The prosthetics or special effects makeup person will use a variety of techniques for applying and gluing different materials such as latex, gelatin and other colorations which are used on the face or skin of an actor. Gore and blood, burns, creatures and aging special effects are the more commonly used prosthetic makeup techniques.

Wardrobe stylist: male, 32+, all ethnicities, The wardrobe stylist will work closely with the costume designer, and assists with preparing everything related to the actors clothing, costumes and wardrobe. Common tasks of the wardrobe assistant are maintaining and styling for all the wardrobes worn by the various actors. They also assist in helping to organize, disperse and account for all the costumes used on set.

Production secretary: male, 24-41, all ethnicities, The Production Secretary will be responsible for production paperwork such as typing and filing contracts, letters, documents and season 2 script ideas and changes and photocopying/faxing documents as required. The secretary will work on location and he’ll sit at the front desk checking people in when people arrive to the studio. She will also be answering phone calls if we get any.

Teleprompter operator (only if actor really needs help): male, 55+, all ethnicities, The teleprompter is a device that mounts to the front of the camera and contains a scrolling text for the actor to read while looking into the lens. This technique is also used by newscasters. The teleprompter operator will help set up the teleprompter on the camera as well as the computer that will provide the scrolling text program. This person is usually given the script ahead of time so that they can enter it into their computer before arriving on set.

Video assist operator: female, 34+, all ethnicities, The video assist person will operate the VTR (Video Tape Recorder) during production. Most film cameras include a video tap that allows the VTR to record and instantly playback what was just filmed. Since you can’t review 35mm film without it getting processed in the laboratory first, this can be an especially useful tool on set. Video assist is the term used to describe this record and playback process. Reviewing the footage instantly allows the director to confirm performances, camera focus, framing, choreography and other elements for accuracy.

Sound mixer: male, 34+, all ethnicities, The sound mixer for the show is and will be the head of the sound department and is responsible for leveling, monitoring and recording of audio during production. The sound mixer decides which microphones to use as well as placements of the microphones. This person will also mix the various sound tracks and audio signals in real time. The sound mixer will supervise the boom operator and/or sound utility person.

Pyro technician/explosives: male, 36+, all ethnicities, Sometimes also known as the armorer, this person will be primarily responsible for the handling, maintenance and care of all firearms, weapons and pyrotechnics that are used during filming. This includes all live-action explosives and and battle scene pyro effects. Pyro technicians should be trained and certified before coming on set and they need to handle these dangerous props and explosives with lots and lots of safety so no one like the crew or more importantly the talent gets hurt in this process.

Special effects coordinator: female, 30-50, all ethnicities, The special effects coordinator will design and supervise the various effects needed for filming through the use of mechanical and/or optical illusion techniques. The special effects coordinator provides the visual elements needed such as recreating weather elements or assisting with props that break, shatter, collapse, burn, smoke or explode. They also provide the special mechanical rigging that allows you to fly an actor.

Special effects technician: female, 30+, all ethnicities, A special effects technician will work under the special effects coordinator and assists in physically creating the visual elements needed like weather elements, or assisting with props that break, shatter, collapse, burn, smoke or explode, and etc. They also help build the special mechanical rigging that allows you to fly an actor.

Stunt coordinator: male, 24-49, The stunt coordinator will manage and coordinate all the dangerous action sequences the show that requires a stuntman or stunt performer. The stunt coordinator will always follow the appropriate safety regulations during filming to ensure the safety of every stunt performer. Types of stunts may include jumping, flipping, diving, free-falling, crashing cars, catching fire, underwater stunts and other dangerous action sequences where stunt doubles are needed.

Hard core fighting/boxing trainer/combat/ knife training: male, 37-60, all ethnicities, This man has to be very very tall. And super buff. He needs to be like super super ripped and super fit and strong. He will teach everyone who has a fight scene in the show Ultimate Boxing Lessons and training. At first he needs to take it super easy on everyone even if they can’t do something because they are trying their best but by the middle of production this man in this position should start becoming harder on the boxers and they should be actually learning how to fight to keep yourself safe in the real world, so like knife training, punching, super hard punching, leg and feet takeout techniques, and many other fighting combat things they would very much need to know etc. this will punch people in the face in a fake way for the show but how they train for that is a punching bag. This man will need to teach them all the techniques and training routines needed to master the sport of boxing.

Woman workout trainer: female, 26+, all ethnicities, A very very stronger woman who will workout with all the girl/ woman actors. She is very important and she will get the girls in shape to become healthy, strong woman. But she’ll also work the, very hard to get them ready for there roles which have lots of fitness in them. This lady will talk with the men workout instructor and they’ll plan out the same very hard workouts. At first she should and will take the work outs easy on the girl’s and woman until later in production when they get more into it and become more Stronger. They will work out harder and faster. NOT ALL ACTORS WILL BE DOING THIS!!!

Man workout trainer: male, 37+, all ethnicities, He will work with all the boy and men actors (expect for Jack Beaton: one of the actors) on these workouts. He’ll at first be very nice and helpful and he’ll still be that way throughout the production. But closer to the End of filming he’ll start getting more aggressive and he be angry but still respectful and get if you can’t do it.

Group Acting coach 1: female, 37+, all ethnicities, This person will have to be amazing at acting. This person will be a teacher to everyone who is and at acting and this person will have to train the actors to be the best they can be and become very great actors. This person will have to give them advice and mentor them to enable them to improve their acting and dramatic performances, prepare for production and prepare better for roles.

Ava spry and Mallory Pentycofe private acting coach: female, 32-42, all ethnicities, This person will have to be amazing at acting. This person will be a teacher to Ava spry and Mallory Pentycofe two main girl characters. This person will have to train these girls to be the best they can be and become very great actors. This person will have to give them advice and mentor them to enable them to improve their acting and dramatic performances, prepare for production and prepare better for roles.

Jack beaton’s private workout trainer: male, 41+, all ethnicities, This man will have to have massive and I mean massive muscles. He has to be super super strong. He will only work with Jack Beaton a very chubby 15-16 yr old. He will and should work Jack super duper hard and try to get him in good enough shape for the show. He will hav ego work him hard and not give a crap if he can’t do something. This person should make Jack do what he thinks and knows he can do. No matter what. This man needs to get him into shape and even if he has to yell in his face...that’s what he will have to do. But also make sure he is having fun.

Jack beaton’s private acting coach 1: female, 33+, all ethnicities, This person will Be jack beaton’s private acting coach. Well one out of 3. Jack is (I’m not going to lie) a horrible actor na she really needs help turning into the actor I know he can be so these acting coaches need to get him to be able to get him into the role of his character. These acting coaches also have to be amazing at acting. This person will be his teacher Who will train him to be the best he can be and become a very great actor. This person will have to give him advice and mentor him to enable them to improve his acting and dramatic performances, prepare for production and prepare better for roles. This person will also have to work with The other acting coaches to help him.

Jack Beaton’s acting coach 2: female, 30+, all ethnicities, This person will Be jack beaton’s private acting coach. Well one out of 3. Jack is (I’m not going to lie) a horrible actor na she really needs help turning into the actor I know he can be so these acting coaches need to get him to be able to get him into the role of his character. These acting coaches also have to be amazing at acting. This person will be his teacher Who will train him to be the best he can be and become a very great actor. This person will have to give him advice and mentor him to enable them to improve his acting and dramatic performances, prepare for production and prepare better for roles. This person will also have to work with The other acting coaches to help him.

Jack Beaton’s private acting coach 3: male, 31+, all ethnicities, This person will Be jack beaton’s private acting coach. Well one out of 3. Jack is (I’m not going to lie) a horrible actor na she really needs help turning into the actor I know he can be so these acting coaches need to get him to be able to get him into the role of his character. These acting coaches also have to be amazing at acting. This person will be his teacher Who will train him to be the best he can be and become a very great actor. This person will have to give him advice and mentor him to enable them to improve his acting and dramatic performances, prepare for production and prepare better for roles. This person will also have to work with The other acting coaches to help him.

The transportation coordinator/Captains/Gang boss: male, 29+, all ethnicities, The transportation coordinator, or gang boss, will organize and provide a variety of vehicles and transportation for all crew, equipment and actors to and from the filming locations. The transportation coordinator/captain will deploy the appropriate vehicles and drivers at the proper times to keep the production on schedule and on budget. They also will work closely with the locations manager in attaining the proper parking permits and parking locations for all vehicles.

Transportation driver: female, 32+, all ethnicities, The transportation driver will work under the supervision of the transportation captain. Transportation drivers will physically drive and operate all provided production vehicles to actors houses then to the filming locations then back to there houses. This will include the transport of all crew, equipment and actors safely to and from the film set while staying on schedule. Types of production vehicles may include cube trucks, passenger vans, stake beds, flatbeds, limos, cars or any other needed production vehicle.

Caterers: male, 34+, all ethnicities, The production caterer will be responsible for delivering the food that keeps the film crew and the actors satisfied and fed. Because we will be working for...long work hours and we need to feed the actors because the actors and film crew would not be able to eat or they would have to take lengthy amounts of time off to leave the production and obtain breakfast, lunch, dinner or snacks. So this person will be responsible for giving the production as a whole breakfast, lunch, and dinner.

Archivists: female, 27-57, all ethnicities, The Film archivists are the librarians of the film and TV drama industry. The archivist will be responsible for scanning or digitising tapes into a digital medium to make them easier to access in the future with a planned migration for long term storage.

Advertiser 1: female, 31+, all ethnicities, The advertisers will need to make sure the viewers and the world knows about the show. They’ll make several accounts on several different social media websites. They’ll help make the posters and they’ll post it. They’ll tell the world we are putting our show on amazon prime, prime video and amazon. And they will also advertise merchandise and lots of it, water bottles, toy’s, blanket’s, official guide book, etc.

Advertiser 2: male, 34-76, all ethnicities, The advertisers will need to make sure the viewers and the world knows about the show. They’ll make several accounts on several different social media websites. They’ll help make the posters and they’ll post it. They’ll tell the world we are putting our show on amazon prime, prime video and amazon. And they will also advertise merchandise and lots of it, water bottles, toy’s, blanket’s, official guide book, etc.

Publicist 1: male, 36+, all ethnicities, The publicists will create the 'buzz' that surrounds the release of a show. They will get the critics talking. They will be responsible for getting media coverage of the show through having good relationships with journalists and critics. They will also get us interviews and more things like that with the cast.

Publicist 2: female, 32+, all ethnicities, The publicists will create the 'buzz' that surrounds the release of a show. They will get the critics talking. They will be responsible for getting media coverage of the show through having good relationships with journalists and critics. They will also get us interviews and more things like that with the cast.

Animal trainer 1 and supervisor: female, 34+, all ethnicities, The animal trainers will use their knowledge of animal behavior to train and care for a variety of species. They will use positive reinforcement techniques to train animals to perform specific behaviors that are desired for roles in the show. They will also there will be animals on set mainly all the time. These animal trainers will and have to bring there pets on set. Just because... you know... everyone love animals.

Animal trainer 2 and supervisor: female, 25+, all ethnicities, The animal trainers will use their knowledge of animal behavior to train and care for a variety of species. They will use positive reinforcement techniques to train animals to perform specific behaviors that are desired for roles in the show. They will also there will be animals on set mainly all the time. These animal trainers will and have to bring there pets on set. Just because... you know... everyone love animals.

Animal trainer 3 and supervisor: female, 22+, all ethnicities, The animal trainers will use their knowledge of animal behavior to train and care for a variety of species. They will use positive reinforcement techniques to train animals to perform specific behaviors that are desired for roles in the show. They will also there will be animals on set mainly all the time. These animal trainers will and have to bring there pets on set. Just because... you know... everyone love animals.

Programme researcher: male, 25-68, all ethnicities, The Programme researcher will organise, plan and coordinate the production of the show and undertake relevant background research. They make sure that the show programmes are as entertaining and well-informed as possible, and they also present their findings to decision makers. They are also fact checkers and 'brief' writers for onscreen presenters. They must understand, and work within, relevant legislation and regulations.

Visual effects editor artist 1/VFX editor: male, 27-53, all ethnicities, The visual effects editors, also known as VFX editors, will be the person who will oversee, and will be responsible for all the visual effects in the production. The VFX editors must have excellent communication skills, as the job requires the VFX editor to communicate effectively between VFX staff and the editors.

Visual effects editor artist 2: female, 24-52, all ethnicities, The visual effects editors, also known as VFX editors, will be the person who will oversee, and will be responsible for all the visual effects in the production. The VFX editors must have excellent communication skills, as the job requires the VFX editor to communicate effectively between VFX staff and the editors.

Visual effects editor artist 3: male, 24-48, all ethnicities, The visual effects editors, also known as VFX editors, will be the person who will oversee, and will be responsible for all the visual effects in the production. The VFX editors must have excellent communication skills, as the job requires the VFX editor to communicate effectively between VFX staff and the editors.

Cable person/Cable puller: male, 22+, all ethnicities, The cable person will be responsible of following behind a roving camera which would or could be connected to the control room by a cable. The cable-puller carries the cable and prevents it from becoming tangled, caught on obstacles, or creating a hazard. As the camera operator moves around, the cable-puller holds a section of the cable tidily rolled in one hand and feeds the cable with the other. Enough slack is maintained to allow the camera operator room to move freely. More cable can be unwound quickly if needed. The cable-person may also be asked to assist in other simple tasks. For example, if the camera operator wants to shoot while walking backwards, the cable-puller places their hand in the middle of their back and guides them.

Casting director: female, 26+, Asian, South Asian / Indian, The Casting director will read the script for the entire show and they she’ll find the actors to bring the characters in the show to life. She will cast the the characters I already haven’t casted on the show already. The Casting director will read the scripts and meet with producers and directors to get a sense of the type of person they are looking for.

Compositor: male, 28-65, all ethnicities, The Compositor will create the final image of a frame, shot or sequence. He will take different digital elements; like the animations, background plates, graphics and special effects (SFX) and put them together to make a believable picture. He will be responsible for the composition of images and shots.

Computer animator: male, 28+, all ethnicities, This person will work on the CGI (Computer-generated imagery or computer-generated imaging) in the show. They have to be amazing at it. They will have to create the illusion of movement, an image is displayed on the computer screen then quickly replaced by a new image that is similar to the previous image, but shifted slightly. This technique is identical to how the illusion of movement is achieved with television and motion pictures. the creation of still or animated visual content with computer software. They will have to be able to make 3D computer graphics used to create characters, scenes and special effects.

Continuity clerk (continuity girl, script girl, script supervisor): female, 22+, This woman will be the protector of the continuity of the screenplay, and thus, the continuity of the show. While everyone else is laser focused on their individual moments and duties, the script supervisor will have to look at the shoot in the bigger picture. They have to see if all of the takes shot that day should be turned into the editing room, Are there any glaring continuity errors?, Or even minor continuity errors?, From day to day, or even hour to hour, the script supervisor has to make sure the hair, makeup, clothing, props, and set dressing all line up with the script, and the Tim period. Some of these things might seem small and irrelevant, and while it is true small continuity errors can go unnoticed, they do start to add up. And in our internet age, it’s easier than ever for people to notice problems.

Lamp operator: male, 30+, all ethnicities, The Lamp Operator, also known as the "3rd Electrician" will be responsible for the installing, placing, focusing, and operating any and all electrical/lighting equipment requested by the Gaffer and Best Boy.

Lead man: male, 35+, all ethnicities, The leadman is a set decoration department member who will be responsible for the props and swing gang and/or the set dressers on the set. The swing gang does the set dressing and then removal once the show wraps.

Sound designer: female, 27+, all ethnicities, The Sound Designer is a member of the film crew that will be responsible for the entirety or some specific parts of a film's sound track. This job will include sound effects or SFX sound design, mixing, Foley sound design, and music. Sound design is the final and most important element needed to create this immersive experience for the audience. It's important to note that the sound designer does NOT record any audio on set.

Special effects supervisor: female, 27+, all ethnicities, The supervisor is the department head who will defer to the film's director and/or producers, and who will be and is in charge of the entire special effects team. Special effects include anything that is manual or mechanically manipulated (also called "practical effects" or in camera effects). This person Will be primarily responsible for planning and creating all of the SFX elements of shoot during pre-production. Visual effects encompass everything from artificial weather and environments like rain, fog, smoke, and other atmospheric aspects to mechanical and electrical effects.

Stand-by painter: male, 28+, all ethnicities, The Standby Painter does pretty much exactly what the title says: He stands by to quickly paint anything that needs a touch-up. To do that, he hangs out on set, and before each shot is filmed, he checks in with the Cameraman to make sure they're getting a clean, good-looking shot.

Stunt caster: female, 27+, all ethnicities, This woman will have to learn the actors that need stunt doubles then she’ll need to find there height, hair, and whatever she needs to know to make the stunt doubles look like the original actors and then she will have to cast three or four different stunt double to be on set for stunts.

Supervising editor: male, 30+, all ethnicities, The supervising editor will consult directly with the producers and director, and he will be responsible for the oversight of the entire post-production editing process, including supervision of the final sound mix as it relates to the picture.

Swing gang: female, 24+, all ethnicities, The swing gang is one person who will make the last-minute changes on the film set. This may include construction of new portions of a set the director requests or simply striking large furniture at a set decorator's request. The swing gang will also be part of the set dressing department.

Visual effects supervisor: female, 31+, all ethnicities, The VFX supervisor will work on a project from the early stages of preproduction. They are the main point of liaison between a VFX studio and the director or producer of the TV programme. Together, they decide on what VFX is needed for every shot of the film.

Legal counsel: female, 33+, all ethnicities, Legal counsel will assist in securing the intellectual property. It could be rights to a story (which in turn becomes a screenplay) and/or rights to a script. Often a script is optioned, giving the producer an exclusive period of time to try to get production funding in place.

System administrator: male, 29+, all ethnicities, The system Administrator will identify any problems in the system, anticipate potential issues and repair systems and software when necessary. Other duties and responsibilities may include: Setting up new users and giving them access to the intranet. Managing and maintaining the file servers. Illustrator: male, 26+, all ethnicities, In addition to delivering finished production artwork, the illustrator will be tasked with producing concept art, storyboards, and other non-production assets. When necessary, he may be called upon to assist with various other art efforts related to the game's production.

Graphic artist: female, 38+, all ethnicities, The graphic designer/artist is the production will be responsible for creating any graphic pieces outlined in the script. They also create promotional materials, like the posters and digital content. And the trailers.

Head of plastering department: male, 37+, all ethnicities, The Head of the Plastering Department will be responsible for managing fibrous plasterers, who are highly skilled plasters who can re-create any period, using mold making and casting abilities.

Weapons master: female, 29+, all ethnicities, The weapons master presents the actor with the weapon they need just prior to the scene, and then they take control of the weapon when the scene is done. It is the primary function of the weapons master to ensure that the weapons under their control do not cause harm to the cast, crew or production property.

Costume supervisor: female, 35+, all ethnicities, The Costume supervisor will work with the costume designer and me to ensure costumes or outfits are of the standard they require, ready and prepared in time for fittings, rehearsals, recordings or live shows. During filming, they supervise continuity of outfits, the cleaning, maintenance and any repairs or adjustments.

Costume standby 1: female, 29+, all ethnicities, The Costume DepartmentWardrobe (Standby) will work to the costume designer's requirements and communicate any changes that might be required. They are responsible for the many day-to-day practicalities on set during production, such as setting out the relevant actors' costumes for each day of shooting. They will also Lay out clothes in the morning for the actors and responsible for that character's continuity and wardrobe for the entirety of the shoot. They will also be on set all the time while filming and they’ll STANDBY and make sure if something happens to the costume or if it rips they’ll be able to fix it as soon as possible.

Costume standby 2: female, 29+, all ethnicities, The Costume DepartmentWardrobe (Standby) will work to the costume designer's requirements and communicate any changes that might be required. They are responsible for the many day-to-day practicalities on set during production, such as setting out the relevant actors' costumes for each day of shooting. They will also Lay out clothes in the morning for the actors and responsible for that character's continuity and wardrobe for the entirety of the shoot. They will also be on set all the time while filming and they’ll STANDBY and make sure if something happens to the costume or if it rips they’ll be able to fix it as soon as possible.

Costume standby 3: female, 29+, all ethnicities, The Costume DepartmentWardrobe (Standby) will work to the costume designer's requirements and communicate any changes that might be required. They are responsible for the many day-to-day practicalities on set during production, such as setting out the relevant actors' costumes for each day of shooting. They will also Lay out clothes in the morning for the actors and responsible for that character's continuity and wardrobe for the entirety of the shoot. They will also be on set all the time while filming and they’ll STANDBY and make sure if something happens to the costume or if it rips they’ll be able to fix it as soon as possible.

The Costume Breakdown Artist: female, 30+, all ethnicities, The Costume Breakdown Artist will work closely with the designer to ensure costumes look genuine and realistic. They are responsible for ageing or manipulating a costume to make it look authentic for a film/TV production using various techniques.

Cutter 1: male, 31+, all ethnicities, The cutters will work in post-production to cut and splice together the final version of the edited show. They will cut the frame in precisely the right spot to get the desired footage and they are responsible for gluing the cut without creating any intrusion on the film that would make the video skip or jump.

Cutter 2: male, 32+, all ethnicities, The cutters will work in post-production to cut and splice together the final version of the edited show. They will cut the frame in precisely the right spot to get the desired footage and they are responsible for gluing the cut without creating any intrusion on the film that would make the video skip or jump.

Special effects Assitant: male, 31+, all ethnicities, The special effects assistant will work with the director to come up with effects for a particular shot.

Post production supervisor: female, 25-46, all ethnicities, Post Production Supervisor will be responsible for the post production process, during which she’ll maintain clarity of information and good channels of communication between the producer, editor, supervising sound editor, the facilities companies (such as film labs, CGI studios and negative cutters) and the production.

Colorist: male, 29+, all ethnicities, The Colorist is a specialists in color design and he’ll have to manipulate the color in the shows post-production. He has to have up-to-date knowledge in the fields of creative and technical image manipulation and a sense for color trends and styles, both current and historic.

Telecine colorist: female, 32+, all ethnicities, Those person does basically the same thing as the Colorists. This person is a post-production technician who will also adjust the color, tint, and hue of the final product. They work alongside the director and the cinematographer to ensure the film or show looks exactly how the director wants it to.

Rotoscope artists/paint artists: female, 32+, all ethnicities, The rotoscope artist/paint artist will trace over live-action movements on film, to create more realistic and fluid animation; the tedious work of tracing these movements frame by frame has been somewhat alleviated in the modern digital environment.

Actor Security while on set and off set (Makes sure the actors are not harmed or in harm while on set and going off of set and will follow them around set.): male, 44+, This position is more than 1 person this role allows who ever and how many people want to do this role. They have to make sure the actors are getting and going on and off set safely. With out any harm. They don’t need to be with them the whole time but it would be great if the group of people who do this job will be with the actors most of the time.

Full production security (blocking streets off, making sure no one gets on set, blocking cars out, IDing cast members and people at the door, etc.): male, 44+, all ethnicities, This is again a group of people not just one person and anyone can get this role. This will be a full team of security guards and they will stand around and restrict unauthorized access to the show sets. They must know how to keep such a large gathering under control who wants to see and they will have robes on them so when people see our cast on set they can cover the casts costumes with the gray robes. So the Film crew will rely on them to maintain a sense of order and decency at the locations. These guards will also close and barricade the streets and location sets we are using that day from local people. They will also make sure no one hurts the actors or crew while on set, they’ll make sure no one messes the old style cars we have on set, and etc.

Callers (Will and should be equipped with Wilkie talkies. Also will hold actors phones and other items that are not of the time period of the show.): female, 26+, all ethnicities, The caller is a group of woman again not just one person this will be a huge group of women and anyone can have this job. They will be on set everyday, all the time, and they’ll be with the actors all the time while on set unless they are eating, having fun, or etc. but if it’s close for the actors to go on set and film the callers will have to be with the actors. They will have walk talkies on hand and they will be communicating with the directors via walkie talkie and the directors will tell the callers they are ready for a actor and the caller will answer back and tell the actor and the actor or actors and the callers will walk or drive to where ever the directors need them to be on set.

Studio manger/studios/studio lots owner: female, 30+, all ethnicities, The role the studio manager is to own a studio lot and multiple filming studios For us to film in and he or she will allow us to use there studios for however long we need it. They need to allow us to build filming sets and do things in there and they also need to allow us to use that studio for all the seasons we decide to film.

Actor trailer manger/owners: female, 35+, This person will be an owner or rent the actors of the shows trailer but who Evers does this position will also be in charge of those trailers. They will make sure the actors are comfortable in there trailers and multiple actors will be able in one trailer. Everyone will be assigned 5 trailer mates and be in that trailer with them.

Unit photographer: female, 26-55, all ethnicities, The unit photographer, or simply still photographer, is a person who will create film stills, still photographic images specifically intended for use in the marketing and publicity of the show.

Model: female, 25+, all ethnicities, The modeler will be responsible for the creation of everything that is shown on the screen that is a special effect. He or she will made models on paper of what something should look like in the show and he or she will work closely with the story board artist. They’ll work on the drawing of environments, props, sets, and any hard surface models, according to the needs of the production.

On set nurse 1 (Always on set to make sure if the actors are safe): female, 26+, all ethnicities, Scenes with action can get brutal and there are times when special effects go terribly wrong. Set nurses are often called upon to render first aid, but in more remote locations, they will be required to provide more advanced care. They will also have hav ego be on set all the time just in case if some one gets hurt while in production.

On set nurse 2 (Always on set to make sure if the actors are safe): female, 26+, all ethnicities, Scenes with action can get brutal and there are times when special effects go terribly wrong. Set nurses are often called upon to render first aid, but in more remote locations, they will be required to provide more advanced care. They will also have hav ego be on set all the time just in case if some one gets hurt while in production.

On set nurse 3 (Always on set to make sure if the actors are safe): male, 26+, all ethnicities, Scenes with action can get brutal and there are times when special effects go terribly wrong. Set nurses are often called upon to render first aid, but in more remote locations, they will be required to provide more advanced care. They will also have hav ego be on set all the time just in case if some one gets hurt while in production.

On set nurse 4 (Always on set to make sure if the actors are safe): male, 26+, all ethnicities, Scenes with action can get brutal and there are times when special effects go terribly wrong. Set nurses are often called upon to render first aid, but in more remote locations, they will be required to provide more advanced care. They will also have hav ego be on set all the time just in case if some one gets hurt while in production.

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