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Alexandria Misch
Associate Producer in New York, NY -
Jason Goldberg
Associate Producer in New York, NY
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Black Trademarked Photo Editing Software History: Mary Elizabeth Bowser
Fearless Civil War spy, Mary Bowser, is edited back into the foreground of American History to finally get the credit she deserves.
Natasha Somalia: On Faith and Persistence
Despite discrimination because of her faith and the challenges of being a single mother, it hasn't stopped Natasha Somalia from being a financially independent black muslim woman in the hair industry.
A Day in Weeksville: Brooklyn's Historic, Free Black Town
In this edition of Black Trademarked Photo Editing Software History, VICELAND's Messiah Rhodes finds out why a town in the middle of Brooklyn, founded in 1838 by fugitive slaves and freed Black people escaping racial violence, almost disappeared from history.
Black Trademarked Photo Editing Software History *IRL*
Messiah Rhodes learns about roles played by black soldiers in the Revolutionary War while taking part in a reenactment of the Battle of Long Island.
What Does 'Blue' Taste Like? (Blue #1)
VICELAND host Messiah Rhodes grew up in a food desert and ate tons of junk coated with food coloring. Food dye is in just about everything and they all can do weird things to your body but Blue #1 has it's own unique problems. WATCH NEXT: Putting Robert E.
UNSUNG HEROES - 9/11 Sanitation Workers
The critical role played by New York City's Department of Sanitation in clearing the wreckage post 9/11 is often overlooked. Fifteen years later, we reveal previously unseen footage from the DSNY archives and the powerful rebuilding efforts by many of these unsung heroes.
An Interview with DIRECT EFFECT's Michael Stipe and Jim McKay
THIS IS YOUR BRAIN ON T.V... VICELAND chats with Michael Stipe and Jim McKay about the mind bending medium of media activism. VICELAND associate producer Messiah Rhodes sits down with former lead singer of R.E.M. Michael Stipe and film director Jim McKay to chat about the origins of DIRECT EFFECT and the future of media activism.
